This is an original album released in 2004. Basically, the motivation of Hiroji Miyamoto remains unchanged from the time of his debut, even on this, his 14th original album. From the beginning, it's clear throughout the album: he sympathizes with the later years of Mori Ogai, whom he respects, after the dissipation of his obsession with rights and honor ("History"), and in "Bakemono Seinen" (Monster Youth), he condemns modern Japanese men for losing their way of life while also showing sympathy. However, now in his late 30s, he faces the reality that was once vague—that the future is death—without fear, and, as expected of Miyamoto, he sings with a flushed face, going "too much." And so, it's sublimated into art that makes you laugh and cry. It's also worth listening to how this band, which tends to be bound by the R&R style, responds to Miyamoto's inspiration with alternative performances, without straining.