LP compact conga set with REMO FIBERSKYN heads, including quinto and conga. Body only. Tuning key and hex wrench not included. The following is about the world of wind chimes. Happy New Year. Wind chimes are outstandingly sparkly and have nuances, making them ideal for creating atmosphere among percussion instruments, many of which have short sustain. Not only percussionists but also drummers keep them nearby, and they are useful for secretly healing at home. There are mainly two materials used for wind chimes. First, solid aluminum. This is the most common type of wind chime. It's light and sparkly. Next, brass pipes. This type is often found in folk crafts, but as an instrument, there is one called "Liebel" from Aida Gakki. It's more subdued than aluminum. Perhaps this was the type of wind chime from the old days. The first one I used was a brass pipe one at school. I didn't like that the aluminum was solid while the brass was a pipe, so I decided to make a total of six solid bar ones. Wind chimes are made by cutting metal rods or pipes to a suitable length, making holes in them, and making holes in a plate-shaped object (mostly wooden) and hanging them with strings. It's not so difficult to make if you have some knowledge and experience with tools and manufacturing, but I don't recommend it. If you want to make one, please do so at your own risk. The appeal of making your own is that you can experiment with the spacing and number of bars, the range of sounds, and ways to prevent the sound from continuing to ring after it's played. You won't be satisfied with just one, so I recommend buying a product if you're not prepared to get sucked into the rabbit hole. As for solid brass, it's very calm and heavy, and I personally like it very much and have been using it for a long time. The problem is that it's very heavy because it's made with φ10mm, and it's so heavy that I'm considering switching to aluminum when I need to lighten the load for train travel. It's so heavy that it feels a bit unstable when attached to a Canopus flat base cymbal stand. The other day, I had the opportunity to play a Liebel for the first time in a very, very long time, and I was very, very moved. The sound seems better with pipes. The response is probably better. Maybe it's because of the larger surface area. I've decided to make one with pipes next time. I think it would be good to lighten the load as well.