78 rpm SP records. Two 10-inch and nine 12-inch records from Columbia, USA. The two old recordings on 10-inch American discs have blue labels. All 12-inch American discs are complete first pressings with black labels. The French disc is a complete first pressing with a green label. The disc surfaces are all gleaming, like new. They are in the best possible condition, beyond compare. The recordings on each disc are as follows: [2008-M] Kreisler: *Précis de style Couperin* D'Ambrosio: *Sérénade* op.4 [2026-M] Wagner: *Albumblatt* Beethoven: *Die Ruinen von Athen* - Chorus of Dervishes [50161-D] Corelli: Violin Sonata in D minor, *La Folia* [50187/8-D] Handel: Violin Sonata No. 4 in D major [50235-D] Pugnani: *Larghetto espressivo* Kreisler: *Tempo di Minuetto* in the style of Pugnani [50273/4-D] Chausson: *Poème* [GFX121/3] Enescu: Violin Sonata No. 3 in A minor, op. 25, *dans le caractère populaire roumain* Performers: George Enescu (violin) Edward C. Harris (piano) [1-4] Sanford Schussel (piano) [1-8] Celiny Chailley-Richez (piano) [9] [1] Recorded in New York, February-September 1924 [2] Recorded in New York, February 1929 - April 1930 [3] Recorded in Paris, Studio Albert, October 19, 1948 These are all immortal masterpieces. They encompass all the sessions from Enescu's peak. A world that cannot be replicated by any reissue is here. Only a fraction of this brilliance is conveyed on LPs or CDs. This time, the two old 10-inch recordings are not complete first pressings with silver labels, but are all blue labels, which have superior sound quality due to established pressing technology. I can confidently say that such a collection in such excellent condition is unprecedented. Especially the 1929/30 black label discs, which often had internal cracks from new, and the existence of a perfect copy is a miracle in itself. The fact that six complete, flawless copies are available is a very significant point. A phantom record.