Thank you for viewing! Although the manufacturer is unknown, the pots originally used were the same as those used on Fender Japan instruments, so I believe it is likely a domestically manufactured instrument from around the 1990s. The cutaway is slightly sharp, but it's a long scale, the same size as a Fender PB. [Details] This is a bass that has been refinished with nitrocellulose lacquer from the bare wood and relic/aged processed. The headstock has been modified to resemble a S○irecaster headstock, which I've made before. It's painted in a Butterscotch Blonde color to subtly show the wood grain. All layers, from the undercoat to the topcoat, are lacquer. The pickguard is not screwed on; it's just placed there. It will be included if you wish. The upper front is the volume for the front pickup, the lower is the volume for the rear pickup, and the master tone. It has the power characteristic of ceramic pickups and gives a good response. In particular, the front pickup has power, and the rear pickup has slightly less power, so I personally felt that it's best to mix them a little to balance the sound. Alder body Replaced with Yamaha genuine tuners Weight: Approximately 3.6 kg Nut width: 40mm, narrow neck Neck set with a very slight forward bow Frets are sufficient Truss rod confirmed to move both ways No dead notes or buzzing through the amp ● Assembly ・2-axis, dual 2-gang MONTREUX A250K/A250K ・alpha 250kΩ A ・CDE Orange drop 0.047μF/100V ・Switchcraft jack #11 ・Wiring / Belden 8503 single wire ・Kester 44 The strings are for setup purposes; replacement is recommended. Comes with a generic soft case as a bonus. #PrecisionBass #JazzBass #Assembly #RelicProcessing #CTS #SwitchcraftJack#11