In the early 20th century, composers in Paris wrote numerous works for the flute. This piece, like Taffanel's "Andante Pastorale et Scherzettino" and Enescu's "Cantabile et Presto," consists of two parts: a slow, lyrical "Chanson" and a nimble, lively "Badinerie." While little is known for certain about the composer Camus, it is dedicated to Enneben, who succeeded Taffanel as professor at the Paris Conservatory, suggesting it may have been composed for students of the conservatory at the time. The "Chanson" has a mood that evokes a subtle melancholy, while the "Badinerie" is a dance with the same origin as the piece in Bach's Orchestral Suite No. 2, meaning "jest" or "frolic." It is delightful as an elegant play of notes. Difficulty: BC/C