Fender Japan PB-57, made by Fujigen. The markings are unclear, so it's either a C or G serial number. [Details] This bass has been refinished with nitrocellulose lacquer from the bare wood and relic/aged processed. The concept this time is a 3TS version where the red lines of the 57-year-old model I previously listed remain unfaded. The outer color is also vintage-inspired, with a more brown-toned black, and I paid close attention to the details. In my subjective opinion, it has a punchy sound with the tone full, and even with the tone rolled off, the core of the sound remains, making it a sweet-sounding bass that can handle all genres. The knobs have peeling plating due to aging. Unlike instruments that have only been lacquer refinished, the assembly is also an important spice for the sound quality of the individual instrument. It is made with attention to detail, from vintage capacitors to wiring materials and solder, making it different from others. The body and neck resonate well, and it is a highly recommended instrument in terms of both looks and sound. Replacement & Additional Parts Finger rest: Maple Spiral bridge Anodized PG Complete assembly [Assembly: Except for the capacitor, everything is new] ・CTS pot 500kΩA ・Switchcraft jack #11 ・Kester 44 ・Wiring materials hot We AWG22 black enamel single wire cold We AWG24 single wire ・Capacitor DILECTRON circleD 0.025μF/unknown voltage resistance [WE Black Enamel, excerpt below] (Unplated) 1950s single wire, with excellent clarity and a full range from high to low frequencies. This type, insulated with black enamel, tends to have a glossy finish. The string height is set low, making it very easy to play. The strings are for setup purposes; replacement is recommended. A generic soft case is included as a bonus. #FenderJapan #PrecisionBass #RelicProcessing #AgedProcessing