This charming album perfectly encapsulates the appeal of Quincy Jones as a jazz arranger and composer. Quincy's work took on a strong pop influence during his A&M era, which began in the late 60s. However, this recording is from 1961, showcasing his unwavering dedication to jazz. His own big band, formed in '59, had disbanded shortly before this recording. Undeterred, he enlisted top New York jazz musicians to deliver a brilliant display of orchestration. The title track is a beautiful ballad that prominently features Phil Woods' alto saxophone. Woods' sensual solo, backed by delicate orchestration, is exquisite. The up-tempo, swinging number <6> features an exciting trumpet solo showdown between Thad Jones and Freddie Hubbard. This album allows you to hear the essence of Quincy's sound, a brilliant evolution of the Basie sound. (Shoji Ichikawa) This 1961 recording includes eight tracks: "The Quintessence," "Straight, No Chaser," "The Twitch," and others. Tracklist: 1. The Quintessence 2. Robot Portrait 3. Little Karen 4. Straight, No Chaser 5. For Lena And Lennie 6. Hard Sock Dance 7. Invitation 8. The Twitch