There is yellowing due to aging. Other than the yellowing, I believe the condition is good. I have taken photos to show the condition of the book as clearly as possible, so please take a look. Please understand that this is a used book before considering a purchase. The longing for travel, sake, and light is decisive for Li Bai's poetry. They all made it sensually possible to expand into distant time and space. They were a way to sensually overcome the limitations of life. This work meticulously pursues the development of poetic imagery seen in Li Bai, such as boldness and delicacy, intoxication and awakening, worldliness and transcendence, based on his works. Conventional collections of Li Bai's poems, although categorized by content, have parallel sections such as "Gifting," "Sending," "Excursions and Banquets," "Nostalgia," and "Love Poems," as well as sections by style such as "Ancient Style," "Yuefu," and "Songs and Poems." This leads to confusion, such as poems about women appearing in both "Yuefu" and "Love Poems." This book avoids such ambiguous classification criteria and classifies all the included works into twelve sections based solely on their content. Literary works are not created with the purpose of classification from the beginning, so it can be difficult to decide where they should belong. This tendency is particularly strong in poems about moonlight and sake. However, by carefully reading the titles and texts, it is not impossible to reach a reasonably appropriate conclusion. At the very least, it is possible to avoid a situation where content and form classifications overlap. I hope that readers will grasp the nature of the poetic images that Li Bai constructed through the works in each section with a free sense. The greatest Chinese poet, alongside Du Fu. I want you to reconstruct the personality and poetic emotions of the poet, who was called the "Poet Immortal," the "Sake Immortal," and the "Banished Immortal," not through biographies and chronologies, but through the works themselves. Biographical research on Li Bai is still insufficient, even from an academic perspective. The author himself has not yet reached a satisfactory conclusion. Even if the lack of materials is undeniable, by spending another ten or twenty years, the work of reconstructing Li Bai's life chronologically will become more certain than it is now. At that time, I would like to draw a portrait of Li Bai based on his age.