Beethoven ① Piano Sonata No. 8 "Pathétique" ② Piano Sonata No. 14 "Moonlight" ③ Piano Sonata No. 23 "Appassionata" Glenn Gould (Piano) Recorded: 1966, 1967 These are the three major sonatas played at tempos that break existing conventions. Upon its release, this album caused controversy as an unorthodox interpretation of Beethoven. It is Gould's most unconventional (far removed from ordinary performances) performance of Beethoven. One can almost see Gould struggling and wrestling with Beethoven's music. However, a unique beauty is also hidden throughout. Those who are accustomed to listening to the three major sonatas, will they find the differences from ordinary performances interesting? Or will they show a rejection reaction? From Gould's piano, one always feels a unique resonance. His speed and dynamics also have his own originality. It's as if he's arranging the music. I think this CD also strongly reflects Gould's individuality. Especially the Appassionata is unbelievably slow, but strangely, it doesn't get boring. Also, the Pathétique is in stark contrast to the Appassionata, with the music unfolding at a fairly brisk tempo. Also, as he often does with other pieces, the repeat is omitted in the first movement. And, in places, there are parts where each individual note sounds cut off, like a music box, which is also Gould's original touch. Through the three pieces, the music is created in a way that is permissible because it's Gould, and can be done only by Gould. The second movement of the Appassionata is amazing. He plays it in about 11 minutes, which is about twice as long as the usual 6 minutes. Conversely, he plays the third movement of the Moonlight Sonata quite fast, so it's no wonder that opinions are divided between fans and non-fans. It's easy to understand why fans call it an avant-garde interpretation, and those who aren't fans call it heretical. In any case, there's no doubt that Gould's individuality is exploding. Recommended for those who are tired of the three major sonatas or who want to experience Gould's individuality. I think it's okay to have such a strange performance, and I still think Gould is amazing for deviating so much from the standard and asserting his own individuality. Japanese domestic edition, with obi, no scratches on the disc 11 Slight scratches on the plastic case *Bulk purchase discounts available (please comment in advance) 150 yen off each additional item 150 yen off all items for 10 or more items (Please refrain from discounts on single purchases)